Gov’t
Mule
‘Dark Side of the
Mule’
Released: 1CD/3CD+DVD Deluxe
Edition – 8th December 2014
Double vinyl 12th
January 2015
via Provogue/Mascot Label
Group
Rock torchbearers Gov’t Mule
are celebrating their 20th anniversary with an extensive tour and a series of
dynamic live archival releases that highlight the group’s versatility and epic,
fearless live performances. No two Gov’t Mule shows are alike, as the band draws
on the more than 300 songs in their repertoire (and often a host of special
guests) to create a unique experience each and every time. Their steadily
expanding fan base knows that the Mule always has something special waiting for
them. Expect the unexpected.
The deep chemistry and steely
confidence shared by the quartet allow them to tackle any form of music and
stamp it their own while remaining true to the spirit and intent of the
original. This can of course be heard any time guitarist-singer Warren Haynes,
drummer Matt Abts, bassist Jorgen Carlsson and multi-instrumentalist Danny Louis
take the stage, but a series of new live archival releases really drives the
point home.
The first of the archival
releases, Dark Side of the Mule, will be released on December 8, 2014, and
features 90 minutes of Pink Floyd covers recorded during the band’s Halloween
2008 show at the Orpheum Theatre in Boston, MA. There will be three
configurations including a standard version (1-CD), a deluxe version (3-CD/1-DVD
package featuring the entire 3-hour performance) and as a double vinyl version.
All configurations feature audio newly-mixed and mastered.
Warren Haynes’ unparalleled
ability to bring together different musicians into a cohesive whole or to pull
off epic musical happenings is one of the many reasons why Haynes stands apart
from the many great front men and guitarists who have graced the musical
landscape. Combined with his guitar and vocal mastery, these skills have made
him an in-demand presence and indispensable musical ally for many. This was
shown most recently on Mule’s most collaborative album to date, Shout!, their
most recent (and 15th) studio album. The one-of-a-kind project is a double CD
featuring two versions of every song – one with Haynes singing and the other
featuring a host of guest vocalists, including Dave Matthews, Ben Harper and
Elvis Costello.
“Making Shout! a double CD with
guests was a cool way to mark our 20th anniversary,” says Haynes. “Each song has
it its own personality; it sounds like Gov’t Mule but doesn’t sound like
anything we had ever done. The songs cover a lot of the influences that have
made Gov’t Mule what we are from the beginning. I think it’s the most diverse
record we’ve made. These new archival live releases just further that concept
and allow us to highlight some of our influences as well as how far we’ve come
since the first album.”
Indeed, it would have been hard
for those listening to Gov’t Mule’s self-titled debut, filled with thunderous
power trio rumblings of Haynes, bassist Allen Woody and drummer Matt Abts, to
envision them remaining true to this original vision, while also expanding to
include reggae and horn-driven, backup singer-sweetened, classic rock covers by
Pink Floyd and the Rolling Stones, but that’s the tricky feat the band has
pulled off, as illustrated by their upcoming live albums.
Gov’t Mule was formed in 1994
when Haynes and bassist Allen Woody were playing in the Allman Brothers Band and
talking about their shared passion for old school power
trios.
“We were listening to a lot of
Led Zeppelin, Cream and Free, caught up in the musical freedom they displayed,”
says Haynes.
Haynes called up drummer Matt
Abts, with whom he had played in the Dickey Betts Band. The band recorded three
increasingly ambitious studio albums and performed countless shows before Woody
died in August, 2000. After briefly pausing to ponder their next move, Haynes
and Abts began recording The Deep End, two CDs featuring guest bassists, ranging
from the Who’s John Entwistle to the Grateful Dead’s Phil
Lesh.
“Everything we’ve done
collectively has led up to where we are now,” says Haynes. “But those Deep End
sessions, and the experience of playing with so many bassists and adapting to
different sounds and approaches had a profound effect on Gov’t Mule and what
we’ve done since.”
Louis, a longtime collaborator,
became a full-time member of Gov’t Mule in 2001, and the group has been a
four-piece ever since. Bassist Carlsson has been with the group since 2008,
solidifying the lineup.
“I think a lot of the music
we’re doing now is very similar to the music we were making in the earliest
years with the obvious exception that we are no longer a trio,” says Haynes. “In
some ways we’ve come full circle and in other ways it only makes sense if you
step back and connect the dots. And that seems right to me. You want to keep
growing and you never want to be static, or done changing.”
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