The
critics were united in acknowledging the eponymously titled debut album from
Flying Colors among the most fascinating releases of 2012. Teaming the talents
of such heavyweight names as Deep Purple/Dixie Dregs/ex-Kansas guitarist Steve
Morse, drummer Mike Portnoy (Transatlantic, Winery Dogs, ex-Dream Theater), Neal
Morse (Transatlantic, Spock’s Beard and a prolific solo artist), bass player
Dave LaRue (Dixie Dregs, Joe Satriani, Steve Vai and more) with a comparatively
new talent, pop singer/songwriter Casey McPherson, the band challenged
conventional wisdom about combining virtuoso music and melodic songwriting. Or,
as the quintet’s modus operandi was once memorably defined by founder Bill
Evans, ‘crafting new-fashioned music the old-fashioned
way’.
Evans’
mission was to team a pool of virtuoso players, a pop singer/songwriter, and the
right producer—to create sophisticated music that was accessible. Over 100
singer/songwriters were considered for the role. Portnoy pitched the idea of
approaching McPherson, a member of the group Alpha Rev, whose 2010 album called
‘New Morning’ that dominated the Billboard Top Ten for 17 weeks. After an
hour-long phone call with Evans, the band found their man. As Mike had quite
rightly hoped, McPherson went on to prove the ‘x factor’ that elevated Flying
Colors above the norm.
As
Portnoy told Prog magazine: “The idea of having an actual singer – as opposed to
a musician that also sang – really opened up a whole other
world.”
Known
for creating alongside progressive artists such as Rush and Queensryche but also
for producing Elton John, Bon Jovi and Brian Wilson, Peter Collins had a unique
ability to blend progressive rock and pop. Working incredibly quickly – the
group writing session lasted just nine days, including composition and recording
– Flying Colors captured a moment in time. The results were extraordinary;
beautifully orchestrated, delightfully harmonious, fat-free and very different
to anything that its members had done before.
The
UK’s Classic Rock magazine hailed the band’s debut as “fearless”, praising its
“Journey-sized choruses” and referencing artists as diverse as The Beatles, the
Red Hot Chili Peppers, The Doors, Muse and even Frank
Sinatra.
In
late 2012, the band toured the United States and Europe, dazzling fans with
Flying Colors originals and selections from the catalogues of the five members.
The chemistry can be heard on ‘Live In Europe’, a Number #1-charting Bluray,
DVD, CD and vinyl package recorded and shot in Tilburg,
Holland.
Schedules allowing, the protagonists had
always viewed Flying Colors as a genuine band as opposed to a mere side project,
and quietly yet purposefully they began writing a second studio album.
There
was far more time at their disposal. From the first writing session to final
delivery of the masters in July 2014, the process took almost a year and half,
albeit in four distinct stages: writing sessions via Skype in January/February
2013, another burst of writing and recording at Neal Morse’s house in Nashville,
a trip to Portnoy’s home that spawned five additional songs, and finally
individual recording/arrangement over the internet throughout the spring of
2014.
This
time the band opted to self-produce, with Evans, the man responsible for the
concept of Flying Colors, reprising his role as Executive Producer and
co-engineer. Besides offering a finely tuned set of ears, Evans would remix a
track each time an amendment was made, before sending it onto each band member,
allowing closer collaboration by the band.
“There
was no repudiation of Peter Collins,” clarifies Evans, “but the guys had become
a family and they wanted to try something different.”
“The
first album was very much a blind date,” Mike Portnoy explains. “Although we
already had ‘Team Dregs’ of Steve/Dave and ‘Team Transatlantic’ of myself/Neal,
it was the first time that the five of us – seven if you include Bill Evans and
Peter Collins – had collaborated together as a group. This time there was an
existing chemistry, we had not only the prior experiences of making the debut
album but also the 2012 tour as well.”
‘Second Nature’, the sophomore statement
from Flying Colors is released via Mascot via Warner Music Finland on
26th September. Sporting stunning artwork from the legendary designer
Hugh Syme (Rush, Aerosmith, Def Leppard, Whitesnake) and bookended by two tracks
of truly epic stature – ‘Open Up Your Eyes’ and the multiple-part ‘Cosmic
Symphony’ – the album is every bit as breathtaking as the debut.
“The
band sound a little proggier than they did on the first album, but the principle
of making music accessible to a mainstream audience remains true,” says Bill
Evans. “The longer songs sound just as melodic as the shorter ones. There are
live string sections on four of the songs and a gospel choir on two songs, so
there’s a lot of variety going on.”
Portnoy stresses that the music’s proggier
path was “not conscious at all.” The drummer continues: “Direction was never
even discussed. We just did what we do. I think perhaps not having a producer to
‘trim the fat’ possibly led to the songs breathing and expanding a bit
more.”
Perhaps Steve Morse sums things up best
with the statement: “This is an album full of many layers. The more you listen,
the more you can hear. It’s an album to keep listening to.”
Flying Colours will be on tour from October 2-14, taking in venues across the United States, Europe and the UK.
Schedule to be advised.
Flying Colours will be on tour from October 2-14, taking in venues across the United States, Europe and the UK.
Schedule to be advised.
Watch
brand new trailer here: https://www.youtube.com/watch?v=0IDyGrc1Z8k&feature=youtu.be
tracklist:
1.
Open Up Your Eyes (12.24)
2.
Mask Machine (6.06)
3.
Bombs Away (5.03)
4. The
Fury Of My Love (5.10)
5. A
Place In Your World (6.25)
6.
Lost Without You (4.46)
7. One
Love Forever (7.17)
8.
Peaceful Harbor (7.01)
9.
Cosmic Symphony (11.46)
I.
Still Life Of The World
II.
Searching For The Air
III. Pound For Pound
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